|Statement||edited by Gian Paolo Biasin, Albert N. Mancini, and Nicolas J. Perella.|
|Series||Studi e testi di bibliologia e critica letteraria ;, 12|
|Contributions||Ferruolo, Arnolfo B., 1912-1982., Biasin, Gian-Paolo., Mancini, Albert N., Perella, Nicolas J. 1927-|
|LC Classifications||PQ4075 .S78 1985|
|The Physical Object|
|Pagination||283 p.,  leaf of plates :|
|Number of Pages||283|
|LC Control Number||86143294|
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I Tatti Studies has a long and distinguished history as a premiere journal dedicated to seminal scholarship in the Italian Renaissance. Published in conjunction with The Harvard University Center for Italian Renaissance Studies at Villa I Tatti, this series represents the very highest quality scholarship concerning the history of the Italian Renaissance from the thirteenth to seventeenth this broad chronological definition, the series publishes two to three volumes per year. Three AAIS Book Prizes were awarded at the conference in Zurich for the best books in Italian studies published in Medieval, Renaissance and Baroque: Paolo Squatriti, Landscape and Change in Early Medieval Italy: Chestnuts, Economy and Culture (Cambridge University Press). Interdisciplinary in scope and grounded in visual, literary, and archival materials, the essays in this book probe many different facets of the society of Renaissance Italy, including the role of kinship and networks, power and agency in Medicean Florence, patronage and spirituality, and .
The Italian in Australia: Studies in Renaissance and Baroque Art by Marshall, David R. and a great selection of related books, art and collectibles available now at Jonathan Alexander became aware of the lack of a survey in English of Italian Renaissance illumination while preparing the groundbreaking exhibition The Painted Page: Italian Renaissance Book Illumination –, held in London and New York in –95 (exh. cat., ). He took up the challenge equipped not only with a profound knowledge of painting in Italian books, but . An Italian Renaissance figure who's widely recognized genius in the diverse areas of art, invention, science and engineering lead many to refer to him as the epitome the Renaissance humanist ideal. His paintings, Last Supper and the Mona Lisa are arguably the . Jill Burke is a prize-winning researcher in Italian Renaissance art history, senior lecturer at the University of Edinburgh, and associate editor of Renaissance Studies. “If you thought you knew what you were looking at when looking at Renaissance nudes, look again with Jill Burke.”—Alexander Nagel, Professor of Fine Arts, New York University.